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Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. 'Sabotage art' reveals how contemporary Latin American artists have resorted to 'sabotage' strategies to bridge the gap between aesthetics and politics, and seeks to understand the mystification, cooption and commercialisation of this new, dissident work.

Art --- Iconoclasm in art. --- Radicalism in art. --- 77 <8=6> --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- 77 <8=6> Fotografie--Latijns Amerika --- Fotografie--Latijns Amerika --- Political aspects --- Politics --- prints [visual works] --- sculpture [visual works] --- installations [visual works] --- politics --- iconoclasm --- performance art --- easel paintings [paintings by form] --- violence --- political art --- Bruscky, Paulo --- Ehrenberg, Felipe --- Kurtycz, Marcos --- Lozano-Hemmer, Rafael --- Vigo, Edgardo Antonio --- Zenil, Nahum B. --- Guzmán, Enrique --- Calderón, Elkin --- Orozco, Gabriel --- Minujin, Marta --- Carrión, Ulises --- Colectivo Acciones de Arte --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019 --- Latin America --- Iconoclasm in art --- Radicalism in art --- Art, Primitive --- paintings [visual works] --- kunst en politiek --- kunst in de openbare ruimte --- social criticism